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The Devil Wears Prada (Music from the Motion Picture)

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a b Davies, Hugh (September 9, 2006). "Meryl Streep plays the Devil her own way". The Telegraph. Archived from the original on November 7, 2007 . Retrieved June 9, 2018. Hathaway suggested taking the kiss between Andy and Nate out of the scene where he makes her a grilled cheese sandwich. "I just don't think it's right…just doesn't feel like we're at that point in our relationship", Grenier recalls her saying. "There's too much history." [9] Weisberger is widely believed to have based Miranda on Anna Wintour, the powerful editor of Vogue, for whom she herself had once worked as a personal assistant. Fear of what Wintour might do in retribution for any visible cooperation with the production posed obstacles, not just in the fashion industry but also in Hollywood. [9] Pre-production [ edit ]

Although the film is set in the fashion world, and references well-known establishments and people within that industry, most designers and other fashion notables avoided appearing as themselves for fear of displeasing US Vogue editor Anna Wintour, who is widely believed to have been the inspiration for Priestly. Still, many allowed their clothes and accessories to be used in the film, making it one of the most expensively costumed films in history. [4] Wintour later overcame her initial skepticism, saying she liked the film and Streep in particular. [5] Plot [ edit ] Closed captions in French and Spanish are also available. The DVD is available in both full screen and widescreen versions. Pictures of the cast and the tagline "Hell on Heels" were added to the red-heel image for the cover. It was released in the UK on February 5, 2007. The Intern, 2000 comedy about an overworked and mistreated low-level employee at a New York fashion magazine Though the show takes place at a fashion magazine, its creative team doesn’t seem to have agreed on a style. Is this a sincere story of a young woman’s education — sentimental, professional, sartorial — or a Fashion Week party? An inquiry into toxic workplace culture or an excuse to put an Eiffel Tower (technically, two Eiffel Towers) onstage? This is a show that has tried on everything in its closet. Nothing fits.

In the meantime, the studio and producer Wendy Finerman sought a director. Out of many candidates with experience in comedy, David Frankel was hired despite his limited experience, having only made one feature, Miami Rhapsody, along with some episodes of Sex and the City and Entourage. He was unsure about the property, calling it "undirectable ... a satire rather than a love story". [10] Later, he cited Unzipped, the 1995 documentary about designer Isaac Mizrahi, as his model for the film's attitude towards fashion: "[It] revels in some of the silliness of the fashion world, but is also very serious." [11] Hill, Amelia; October 8, 2006; " The secret of success? Kindness"; The Observer; retrieved January 10, 2007. Several weeks after all the major parts had been cast, the actors gathered in New York for a table read. Hathaway was nervous and goofy, she recalls, since she still had not developed her idea of the part; she described her performance at that point as "[nothing] particularly impressive". Blunt, by contrast, found Streep's laugh relaxed her enough to keep her focused on playing a nervous, distracted Emily. The highlight of the session was Streep's first line as Miranda. Instead of the "strident, bossy, barking voice" everyone expected, Hathaway says, Streep silenced the room by speaking in a near whisper. "It was so unexpected and brilliant." At the reading Streep also changed Miranda's last line to "everybody wants to be us" from the original "me". [8] The cast members bonded tightly on the set, and remained close afterwards. Blunt invited them to her wedding to John Krasinski in 2010. There, Tucci met her sister Felicity, whom he later married. "Ten years after The Devil Wears Prada, Stanley is in my actual family," she told Variety. "How frightening is that?" [8]

a b c d "Meet the acid queen of New York fashion". The Guardian. June 25, 2006 . Retrieved June 9, 2018.

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It’s little wonder that many believe The Devil Wears Prada is more of a straightforward biopic than fictional dramedy. Weisberger used to be Anna Wintour’s personal assistant, after all. And according to reports, numerous fashion houses were so scared of upsetting the Vogue editor that they refused to have anything to do with the film. Wintour, however, appeared to take it all in her stride. She even turned up to its premiere, wearing Prada, of course, where she voiced her approval. “Anything that makes fashion entertaining and glamorous and interesting is wonderful for our industry,” Wintour told ABC News. “So, I was 100 percent behind it.” 4. Meryl Streep’s daughter appeared in The Devil Wears Prada, but her scene was cut. Bubby's, [61] the restaurant Nate works at (and where Andrea, Doug and Lily eat dinner on occasion) is in TriBeCa. [39]

Hathaway prepared for the part by volunteering for a week as an assistant at an auction house where she was "put through the wringer" according to Weisberger, who adds that Hathaway supplemented that by asking her many questions about working for Wintour. [27] Frankel recalls that she was nervous through most of the shooting, particularly when working late, since Raffaello Follieri, her boyfriend at that time, preferred strongly that she not do so; [8] she was also having health issues due to a cyst. [2] The director said she was "terrified" before starting her first scene with Streep, who had begun her working relationship with Hathaway by saying first "I think you're perfect for the role and I'm so happy we're going to be working on this together" then warning her that was the last nice thing she would say. [46] Streep applied this philosophy to everyone else on set as well, keeping her distance from the cast and crew members unless it was necessary to discuss something with them. [36] [33]

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For Miranda's actual look, Streep looked to two women. The bouffant hairstyle was inspired by model and actress Carmen Dell'Orefice, [b] which Streep said she wanted to blend with "the unassailable elegance and authority of [French politician] Christine Lagarde". [8] [14] She wanted Miranda's hair to be white, which the producers feared would make her look too old, but the studio trusted her and she worked with makeup artist and stylist J. Roy Helland, a longtime associate, to create the look. [9] Some media outlets allowed their present or former fashion reporters to weigh in on how realistic the movie was. Their responses varied widely. Booth Moore at Los Angeles Times chided Field for creating a "fine fashion fantasy with little to do with reality," a world that reflects what outsiders think fashion is like rather than what the industry actually is. Unlike the movie, in her experience fashionistas were less likely to wear makeup and more likely to value edgier dressing styles (that would not include toe rings). [75]

The film also has been credited with increasing interest in R.J. Cutler's documentary The September Issue, which followed Wintour and other Vogue editors as they prepared the issue for that month of 2007. [8] Writing in The Ringer on the tenth anniversary, Alison Herman observed that " The Devil Wears Prada transformed Wintour's image from that of a mere public figure into that of a cultural icon." Once known primarily as a fashion editor, she was now "every overlord you'd ever bitched about three drinks deep at happy hour, only to dutifully fetch her coffee the next day." Ultimately, the film had effected a positive change in Wintour's image, Herman argued, "from a tyrant in chinchilla to an idol for the post- Sandberg age". [17] Sommer, Rich (January 3, 2007). "Fun". Vox. Archived from the original on January 18, 2008 . Retrieved June 10, 2018. After touring some offices of real fashion magazines, Jess Gonchor gave the Runway offices a clean, white look meant to suggest a makeup compact [36] ("the chaste beiges and whites of impervious authority," Denby called it [57]). Miranda's office bears some strong similarities to the real office of Anna Wintour, down to an octagonal mirror on the wall, photographs and a floral arrangement on the desk. [58] Gonchor later told Women's Wear Daily that he had based the set on a photo of Wintour's office he found online; the similarity led Wintour to have her office redecorated after the movie's release. [59] In 2021, Frankel said Gonchor had actually managed to sneak into Vogue 's offices to get a look at Wintour's. "They got it really, really close", Weisberger said. [9]Fresh out of college, aspiring journalist Andy scores a job at the prestigious Runway magazine working for fashion’s most powerful and terrifying icon — editor-in-chief Miranda Priestly. Sacrificing her personal life to meet Miranda’s impossible demands, Andy finds herself seduced by the glamorous world she once despised. The New York Mirror newsroom where Andy gets hired at the end of the film is that of the now-defunct New York Sun. [36]

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